I love photography like the above… that dinner table in candle light… I have an obsession with shots like that. So it’s particularly awesome when those shots also include your wines!! Coco from Roost blog captured the Outstanding in the Field event at Blackberry Farm where Cultivate’s wines were poured! The shot on the left features Dream Walking, our California Chardonnay.
I’m also so glad to have discovered her blog, it’s another healthy food (no sugar or grains) blog with seriously gorgeous photography!
As Miss Moss said, there have been an influx (onslaught?) of vintage-inspired lookbooks recently, but as Ralph Lauren tends to do, they really nailed the details on making the style of this lookbook for RRL look authentic, and I’m really liking how they took it to the max. Even the models look like they’re from another era!
It also totally fits with RRL’s overall aesthetic, which focuses on rugged American old-West classics that look authentically, convincingly vintage-y and distressed. I’m not usually a fan of pre-distressed clothing, but again, RRL does it so wellll.
If you like this, check out this post about an artist who is bringing back collodion process photography.
I am completely taken with these Lightning Series photographs by Hiroshi Sugimoto that I understand absolutely nothing about. I think that’s part of why I’m taken with them. The combination of art and science is so fantastic and intriguing and above my head, and the resulting photographs (are they really “photographs?” I don’t know. But they involve film.) are stunning.
Here’s how Wired Magazine describes the series and process: “Whether making ultralong exposures of movie screens or photographing museum dioramas to look like real scenes, Hiroshi Sugimoto has always used his camera to explore unseen phenomena — artifacts of time, light, the elements, and human perception. But for his latest project, called Lightning Fields, the award-winning photographer traded optics for electricity. He wields a Van de Graaff generator to send up to 400,000 volts through film to a metal table.
The resulting fractal branching, subtle feathering, and furry whorls call to mind vascular systems, geologic features, and trees. “I see the spark of life itself, the lightning that struck the primordial ooze,” Sugimoto says. Although some of the effects happen by chance, the artist does try to exercise control.
“I have a kitchen’s worth of utensils that produce sparks with different characteristics,” he says. “But there are many variables — weather, humidity, perhaps even what I had for breakfast — I’m never sure what influences the results.””
If you want to hear more about Sugimoto, from the man himself, check out this video from T Magazine. He doesn’t talk about this project, but he does say the phrase “cooked in my noodle” around 1:55 and it’s pretty great.
Loving the photography blog of Rog Walker. It’s like a street style blog meets personal style blog– it’s mostly of him and his girlfriend (whose hair I’m obsessed with) and his friends in various locations, many industrial, around New York that create awesome backdrops. I love the settings, the colors, the outfits, and the mood. And in kind of a creepy way, I like the chronicle of his relationship with his girlfriend.
Also love the fact that his official name is Rog. It’s pretty awesome to make a nickname, one that’s a shortening of your name, not the kind of nickname that’s another name, like Nick from Nicholas, your official name.
Wooo Iceland has really grabbed my imagination. It started with that mountain at left– Brennisteinsalda– a volcano that has been colored by sulphur (the name means sulphur wave). How amazing is that? (There are more pics in the gallery.)
After digging up lots of pictures of Brennisteinsalda to be sure that wasn’t photoshop trickery, that discovery lead to an exploration of more photos of Iceland, and I really don’t know how I hadn’t seen some of this stuff before.
And then those wild horses and “Icelandic sheep”!! (Don’t they sound more intriguing since they’re not just normal sheep, they’re Icelandic sheep? I think that’s the beginning of a very good marketing campaign for very expensive Icelandic wool sweaters…) This place looks amazing. And so wonderfully foreign…
Check out the gallery for lots more eye-opening pics!
Two photography projects for you today with a few things in common: professional dancers dancing/posing in public in NYC.
One is called The Ballerina Project (black and white photos above) and takes a more serious, emotional approach (aren’t they beautiful?), and the other is called Dancers Among Us and has a little bit more of a fun, humorous, Improv Everywhere feel to it, capturing dancers in normal street clothes surprising crowds with a sudden leap or twirl (that’s the technical term- twirl) (photos in gallery– mostly color).
Wow wow wow. Loving, adoring, and super impressed by the work of Daniel Carrillo, a photographer who is working using the archaic wet collodion plate process to take portraits.
Isn’t it amazing how the images above look like they should be super old, because you recognize the old-timey style, but the subjects let you know they’re modern?
Introduced in the 1850s, the process was nearly extinct less than ten years later. It did remain in use for specific needs and in different forms through the 1960s, but the complicated process kept its use limited for obvious reasons (see below for more on the process). It’s also similar in a way to silver gelatin printing, but with the main distinction that wet collodion plates had to be developed immediately on the spot. Sally Mann has used collodion process, but other than her work, I’ve never seen it anywhere else.
I’m so glad Carrillo (and I’m sure others who I don’t know about) are keeping this art alive, the images are SO beautiful!!! The amazing tonal range and short depth of field combine to create such a unique style.
Check out this video of Carrillo talking about his work and describing the process for more info:
Here’s a description from wikipedia of how it works, which hilariously starts with the phrase “The process is simple.”
The process is simple: a bromide, iodide, or chloride is dissolved in collodion (a solution of pyroxylin in alcohol and ether). This mixture is poured on a cleaned glass plate, which is allowed to sit until the coating gels but is still moist. The plate is then placed in a silver nitrate solution, which converts the iodide, bromide, or chloride to silver iodide, bromide or chloride. Once the reaction is complete, the plate is removed from the silver nitrate solution and exposed in a camera while still wet. The plate loses sensitivity as it dries, requiring it to be coated and sensitized immediately before use. It must also be developed while still moist, using a solution of iron sulfate, acetic acid and alcohol in water.
You know how when you’re in the passenger seat while driving on the highway, it becomes a total preoccupation to look at people in the other cars? (And then it’s really awkward when they look back at you? But you still can’t resist?)
Well, Andrew Bush cleverly turned that preoccupation into an photographic project, which he has now turned into a book. Most of the photos were taken in the early ’90s on the highways of LA (perhaps the best place in the country for capturing car culture), so in addition to being an awesome chronicle of people in cars, it’s also an interesting little time capsule of LA in the early ’90s.
Pretty amazing how the cars on the road have changed since then. Time flies, no? Looking at these made me feel old for the first time in my life. Also, why oh why are cars not still painted with those flat colors? I detest the current glittery (truly, look up close, they’re glittery), pearlescent paint colors on cars today.
This gent above was on the highway in Montecito– are you surprised? It’s so perfect. Check out his site for more photos, and for captions– the captions are occasionally hilarious in a very dry sort of way, often for the verb he chooses for “drive” to go with the person.
Love these striking photos from last month’s polo matches in Santa Barbara by my friend, the multi-talented Seth Epstein (we worked together on the Fable project).
They also reminded me of this room I recently bookmarked…
And also the abstract expressionist horse paintings by Edward Incandela, like this one…