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	<title>The Wonderlust Journal &#187; wonderment</title>
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		<title>Wonderment &gt;&gt; Sound Becomes Sculpture</title>
		<link>http://thewonderlustjournal.com/wonderment-sound-becomes-sculpture/</link>
		<comments>http://thewonderlustjournal.com/wonderment-sound-becomes-sculpture/#comments</comments>
		<pubDate>Mon, 04 Oct 2010 22:53:00 +0000</pubDate>
		<dc:creator>Eliza Coleman</dc:creator>
				<category><![CDATA[Arts Visuels]]></category>
		<category><![CDATA[advertising]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[wonderment]]></category>

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		<description><![CDATA[A wonderful little piece of wonderment for your day&#8230;&#160; Above, an ad for the new Canon Pixma printer, below, the making of the ad. To create what you see above, they put drops of paint on a membrane over a speaker, and then when they played a sound through the speaker, it made the paint [...]]]></description>
				<content:encoded><![CDATA[<div style="text-align: center;"><span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: 11px;"><iframe frameborder="0" height="338" src="http://player.vimeo.com/video/15215534?portrait=0&amp;color=ffffff" width="601"></iframe></span></div>
<div style="text-align: center;"></div>
<div style="text-align: center;">A wonderful little piece of wonderment for your day&#8230;&nbsp;</div>
<div style="text-align: center;"></div>
<div style="text-align: center;">Above, an ad for the new Canon Pixma printer, below, the making of the ad. To create what you see above, they put drops of paint on a membrane over a speaker, and then when they played a sound through the speaker, it made the paint bounce up, and they caught the action at 5,000 frames per second. &nbsp;That&#8217;s a lot of frames per second. </p>
<p>The result is ultra-clear slow motion video of tiny bits of gelatinous color exploding into the air.</p>
<p><iframe frameborder="0" height="338" src="http://player.vimeo.com/video/14955603?portrait=0&amp;color=ffffff" width="601"></iframe><br /><a href="http://vimeo.com/14955603">Canon Pixma: Bringing colour to life</a> from <a href="http://vimeo.com/dentsulondon">Dentsu London</a> on <a href="http://vimeo.com/">Vimeo</a>.</div>
<div style="text-align: center;">The ad itself is wonderfully captivating, and the making-of film, if it&#8217;s publicized, will be an interesting combination of the two trends I&#8217;ve been talking about on this blog related to advertising&#8230; the short film approach (<a href="http://elizacoleman.blogspot.com/2010/09/martin-scorsese-for-bleu-de-chanel.html">Chanel</a>, <a href="http://elizacoleman.blogspot.com/2010/09/love-story.html">GANT</a>) and the &#8220;real people&#8221; approach (<a href="http://elizacoleman.blogspot.com/2010/04/real-people-ad-campaigns.html">Tod&#8217;s</a> by Eliot Erwitt <a href="http://elizacoleman.blogspot.com/2010/04/real-people-ad-campaigns.html">and</a> Cole Haan by the Selby), where the photographer him/herself is known and hyped (not just a tiny credit somewhere), and the subjects are real people who use the product (not actors) and are identified. &nbsp;In this case, it&#8217;s not exactly the first or the second, but still carries the themes of a well-crafted story and a behind-the-scenes, &#8220;we&#8217;re not a nameless, faceless corporation&#8221; tone. &nbsp;Interesting here that they even reveal who the advertising agency behind the project was&#8230;</p>
<div style="text-align: left;"></div>
<div style="text-align: left;">[By <a href="http://www.dentsulondon.com/">Dentsu London</a>]</div>
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