The NYT did a great review of the film that convinced me that L’Amour Fou is about precisely the parts of Saint Laurent’s life I am most intrigued by — his love (and collection) of art and homes and his relationship with his partner in business and life, Pierre Berge.

Previous documentaries have focused on the fashion (which is, of course, amazing), but I really became intrigued by Saint Laurent during the time of the Christie’s auction of his estate when photos of his homes and art collections began to surface, and this documentary centers around that event.

Oh, btw, the auction netted $484 MILLION. See what I mean? He had one hell of a collection.

For more images from his estate, check out this Vanity Fair article and the beautiful black and white photos by Hedi Slimane.

Both classics in their own right, Cocker and Russell teamed up for this legendary tour, for which Russell, the musical genius with his iconic long grey hair and top hat, fronted Cocker’s band and was musical director, coming up with all the live arrangements for their 21-person band/chorus (I think this may have inspired Edward Sharpe, don’t you think?).

The tour was also filmed and made into a documentary, tracking the band and it’s hippie-commune 40-member entourage around the country to sold-out shows, complete with backstage footage and interviews.  Sort of a real-life version of the movie Almost Famous, no??

Plus, the set list (which also became the album by the same name, from the show played at the Fillmore East) is incredible, including not only Cocker and Russell’s hits, but also covers of the Rolling Stones, Bob Dylan, the Beatles, and others.

This last video, Darlin’ Be Home Soon, is some of the footage from the film– a backstage rehearsal.  I particularly love the last minute or so with the split-screen of them boarding their plane and the rehearsal, and the little bit of the mom talking to the kids at the very end.  Very Almost Famous.

[Image: The original blueprint for the Barnes Foundation, 1922]

As an art history major, I was always dying to go to the Barnes Foundation– a grand building outside of Philadelphia where the whole collection was housed, carefully curated according to Barnes’ preference for a style he called “wall ensembles,” that gathered art around themes, rather than by time period.

The foundation, which Barnes had intended as an educational center, was open to small numbers of students and educators and was known for its excellent seminars and classes.  But after Barnes’ death, though his will was definitive in stating that he wanted the collection to remain as one collection in perpetuity, never to be sold off, the fate of the collection was exposed to the larger forces in the art world (including his biggest rival), starting a great controversy over what would happen to this famous collection.

[Image: The digital rendering for the new building in Philadelphia]

Today, a new building is being added to the Phildelphia Museum of Art to house the collection (after lots of drama, as detailed in the documentary).  Because it will now be housed in a public museum in a major city, the collection will be much more highly accessible, but does that justify the fact that this was against the wishes of the man who built and owned the collection?   And was largely carried out by one of his rivals?  Check out the trailer to see what happened and how… it’s one of the greatest present-day dramas in the art world!

If you liked Planet Earth or the LIFE series narrated by Oprah, I think you’ll like this.  It’s an awe-inspiring reminder of what an amazing creation our planet is.

Music by Cinematic Orchestra